Mid-side width with independent balance, from fully mono to wider than the original. Nothing is uploaded.
Every tool runs locally in your browser — no uploads, no queues, no watermarks.
MP3, WAV, FLAC or M4A — up to 200MB. It loads instantly and never leaves your device.
Pick a tool, move the controls, and hear the change live as you tweak it.
Render to MP3 or WAV at full quality. No watermark, no waiting queue.
Audionix renders with a phase-vocoder engine compiled to WebAssembly — the quality you would expect from desktop software, at browser speed.
“I prep every set with the key finder and pitch tool. It replaced two paid plugins for me.”
“Being able to drop a backing track to my range in ten seconds changed how I rehearse.”
“The fact that nothing uploads is the whole reason I use it with client material.”
No. Audionix separates pitch from time, so you can shift the key up or down while the tempo stays exactly where it was — and the other way round.
جی ہاں، Audionix پیشہ ورانہ اور جدید ترین DSP انجن استعمال کرتا ہے جو رفتار بالکل نہیں بدلتا۔
Never. All processing runs inside your browser using the Web Audio API and WebAssembly. Your audio never touches a server.
بالکل نہیں۔ سب کچھ آپ کے براؤزر میں ہوتا ہے۔ آپ کی فائل کبھی ہمارے سرور پر نہیں جاتی۔
Import MP3, WAV, FLAC, M4A, AAC and OGG. Export to MP3 or WAV at full quality with no watermark.
MP3، WAV، FLAC، M4A، AAC، OGG — سب کام کرتے ہیں۔ ڈاؤنلوڈ MP3 یا WAV میں ہوتا ہے۔
200MB on desktop and 50MB on mobile, which covers roughly three hours of standard-quality audio.
کمپیوٹر پر 200MB اور موبائل پر 50MB۔
No. Every tool is free and open — no sign-up, no trial period, no credit card.
جی ہاں، بالکل مفت ہے۔ کوئی اکاؤنٹ یا ادائیگی نہیں چاہیے۔
Yes. The studio has a dedicated mobile layout with touch-sized controls and the same processing engine.
جی ہاں، Audionix موبائل اور کمپیوٹر دونوں پر یکساں کام کرتا ہے۔
No account. No upload. No cost. Drop a file and hear the difference.
A stereo file is two channels, and how wide it sounds depends on how much they differ. Content identical in both ears is heard dead centre; content that differs is heard as spread. Widening works on that difference — it turns up what the two channels do not have in common and leaves the shared part alone.
That is why widening a mono file does nothing. There is no difference to amplify.
This is the trap. Widening is usually done by pushing the two channels further apart, and the further apart they get, the more they cancel when something later sums them back together — a phone speaker, a Bluetooth speaker, a club system, a supermarket PA. A mix that sounds huge in headphones can lose its whole centre in mono.
Set the width, then drop the control to 0% and listen. If the vocal disappears or the track suddenly sounds thin, you have gone too far.
Bass carries most of the energy, and spreading it wastes that energy and makes the low end vague. Wide works on cymbals, pads, backing vocals, synths and room ambience. Kick and bass are better left in the middle. Almost every commercial master is arranged this way.
The same control at 0% collapses a stereo file to mono, which is genuinely useful — for a single voice recorded with an accidental channel imbalance, for a sample that has to sit in one place in a mix, or for checking the compatibility described above.
ہم آپ کی فائلوں کے تحفظ کو یقینی بناتے ہیں۔ تمام سٹیریو امیجنگ آپریشنز آپ کے ڈیوائس پر نجی طور پر کیے جاتے ہیں۔
جواب: یہ آپ کے گانوں، بیکنگ ووکلز، یا سنتھیسائزر ٹریکس کو وسیع اور شاندار سٹیریو فیلڈ دیتا ہے جس سے وہ پروفیشنل اور بھاری محسوس ہوتے ہیں۔
جواب: جی ہاں، سٹیریو وڈتھ سلائیڈر کو 0% پر لا کر آپ سٹیریو ٹریک کو آسانی سے خالص مونو (Mono) میں تبدیل کر سکتے ہیں۔